The Rise and Fall of the Grand Narrative

August 12, 2010

Those of you who read my blog regularly will know how frequently I lament the increasing specificity required of academic writing, and how it threatens to render the profession obsolete due to lack of readership or general interest in the subject matter. My thoughts were echoed in a recent book review which, in discussing the life of Hugh Trevor-Roper, a prominent historian, remarked that he could never be the great academic he wanted to be – an E.P. Thompson, or a Thomas Macauley, or an Edward Gibbon – because of two key factors. The first was the passing of the “grand narrative” approach to history, which is now seen as unprofessional, or worse, imperialistic in the Marxist teleological sense. The second was a result of his being British, and, as the article notes, “By Trevor-Roper’s day … Britain had become too insignificant to provide the subject of a grand narrative of progress in the style of Macaulay.”  The only nation that could conceivably produce historians claiming to write the story of its own empire today would be the United States, and those who do are usually right-wing polemicists who garner little respect in academic circles.

It’s true that the grand narrative has its drawbacks, as I’ve written before. Huge swaths of history that don’t fit in can be glossed over or ignored entirely in order to weave a tight story. And the grand narrative remains a common way for writers to (consciously or otherwise) impose a single, usually Western, trajectory upon world events that can be interpreted as modern intellectual imperialism. But it remains an anchoring lens through which historical events can be contextualized and patterns examined, and is usually more interesting than a narrow study. So what has caused the violent turn away from the grand narrative?  Is it justified?

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